Monday, April 19, 2010

Sam Gopal - Escalator

Escalator by Sam Gopal  
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07 Escalator.mp3 (6646 KB)

Pop quiz music fans: Who would win in a wrestling match - Lemmy or God?

There are two reasons that anybody knows who Lemmy is. Either they've experienced any of the highly influential and identical sounding Motorhead albums, or they've read an article in the mainstream press about his extensive collection of Nazi crap.

Since he doesn't hate Jews and isn't a Nazi sympathizer, I have no problem acknowledging that Lemmy is a bona fide innovator who has outlasted pretty much everything. He's like a heavy metal Keith Richards - he cannot be killed by conventional weapons.

With Motorhead, Lemmy merged the heaviness of Black Sabbath with what would become the speed of hardcore punk. By the time I heard Motorhead for the first time, I already knew about both so it wasn't so much life-changing as it was life-affirming.

One of the first bands that Lemmy was in, though, was this Sam Gopal, an early psychedelic metal band named for its founder. Handling both vocals and guitars, it's hard to imagine that Gopal thought himself worthy to carry on after Lemmy left for Hawkwind. (He did, but I'm not covering any of that stuff.)

Every song on the album Escalator is worth it's space on the album, but the song "Escalator" is the one that really gets me. From the galloping tribal drums to Lemmy's desperate pleading for worship to what ends up as a dueling guitar solo by the end of the track - this is one incendiary slab. Put it this way: I had it up so loud in my headphones today that I nearly blew my eardrums. Not only am I proud of this, but I've done it three more times today. And not just because I planned to post it here.

Oh, and the answer to the question above. It's a trick question: Lemmy is God.


Posted via email from One Stupid Mop

Monday, April 5, 2010

Solex vs Christina Martinez and Jon Spencer - The Uppercut

The Uppercut by Solex Vs. Christina Martinez & Jon Spencer  
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05 The Uppercut.mp3 (2847 KB)

Solex hit the scene in the late 90s cutting together a nice groove and a totally different sound. 

Jon Spencer made ear-piercingly addictive noise rock in the 80s, with the emphasis on noise, and then merged punk, blues and noise with the essential Blues Explosion in the 90s.

And Christina Martinez (AKA Mrs. Jon Spencer) brought her own flavor to that blues noise rock with grossly underrated and underheard Boss Hog.

The three have got together for an album, "Amsterdam Showdown, King Street Throwdown," that's got some hip hop, and some blues, and some soul to it. A record like this doesn't come along so often and "The Uppercut" was tough to pick from the album because I can't get the whole damn thing out of my head.

Posted via email from One Stupid Mop

Carson Daly is all up on Bad Religion's jock.

Sunday, April 4, 2010

Lissie does "Bad Romance" with guitars and flannel instead of techno and fashion. I love when pop music goes cool...

It may not be as good - or suprising - as Ted Leo's take on "Since You Been Gone," but it's pretty damn good.

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Posted via email from Stephen Feller

Monday, March 29, 2010

Brainiac - I Am A Cracked Machine

  
Download now or listen on posterous
13 I Am A Cracked Machine.mp3 (10730 KB)

I was attracted to Brainiac because of their album covers. From the first time I saw the covers for Hissing Prigs in Static Couture and Electro-Shock for President, something said, "You need me."

Brainiac was a rock and roll band, experimenting with the aural gusto of The Residents, Primus and Sonic Youth, but all turned sideways. Often, it adds up to a noisy punkish sound that simplified everything that went into it. (This was true until Electro-Shock, which veered off into stellar electronic experimentation.)

The band ceased to exist in 1997 when vocalist Tim Taylor died in a car accident, which especially sucks because this is one band that could have been interesting to watch in the last decade. Not that guitarist John Schmersal's band Enon hasn't satisfied, but they're not exactly Brainiac.

Anyway, I know only a handful of people who've actually heard the band, but I'm sure they'd agree that the sound is timeless. As would every band who sounds like them then and now.

Posted via email from One Stupid Mop

Thursday, March 18, 2010

This was recommended by Thom Yorke.

I stand by his recommendation and will be hunting down the rest of the album from The Gaslamp Killer, My Troubled Mind.

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Posted via email from Stephen Feller

Tuesday, March 16, 2010

Blackalicious - Swan Lake

Swan Lake by Blackalicious  
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1-10 Swan Lake.mp3 (6677 KB)

I was going to offer a lot of words on what makes this track, well, perfect. I think it speaks for itself though: beats, samples and lyrics. Got it?

If you've never heard of Blackalicious or Solesides (or DJ Shadow), here's your introduction. The only thing that Gift of Gab is bragging on here is his brains. There's nothing about bitches or money. 

This is a smooth track. I've been listening to it for years and it's one of the best ways to ease into the week. For most of you, you'll hear this on Tuesday morning. That's a good thing, for both you and the song, because all that bitter Monday garbage will be out of the way.

Posted via email from One Stupid Mop